The artwork "Girl" aims to convey the message that human beauty originates from one's inner existence. Through photography, this project captures the complexity and significance of beauty in women, exploring their inner beauty. Tight portraits and blurred photographs are employed as techniques to delve deeper into their inner selves, delicately expressing their emotions and personalities.
The resulting body of work is structured to convey the message that the beauty of women goes beyond mere external appearances. The photographs visually depict their inner beauty and complexity. Colors and textures are utilised to emphasise the intrinsic meaning of their beauty.
Through this artwork, we contemplate the beauty of girls and the intricate world of emotions they represent, allowing viewers to freely interpret and unleash their imagination. This work aims to evoke deep reflections on the true meaning and value of beauty, expressing it through photography to facilitate communication and empathy with the audience. The artwork seeks to present us with a new perspective through the journey of girls, promoting understanding and respect for women. By illuminating their inner selves, the stories of these girls can become important tools for bringing about social change, introducing us to a broader and diverse range of beauty.
"소녀" 작품은 사람의 아름다움이 내적 존재에 기인한다는 메시지를 전달하고자 합니다. 이 작업은 여성에 대한 아름다움의 복잡성과 의미를 사진을 통해 담아내며, 그들의 내면적인 아름다움을 탐구합니다. 타이트한 포트레이트와 흐릿한 사진은 그들의 내면을 더욱 근접하게 탐구하고, 그들의 감정과 개성을 섬세하게 표현하기 위한 기법으로 사용됩니다.
작업 결과물은 여성의 아름다움이 단순히 외적인 것이 아니라는 메시지를 전달하기 위해 구성되었습니다. 사진들은 그들의 내면적인 아름다움과 복잡성을 시각적으로 표현합니다. 색감과 선 질감은 그들의 아름다움에 대한 내적인 의미를 강조하기 위해 사용됩니다.
이 작품을 통해 우리는 소녀의 아름다움과 그녀가 대변하는 복잡한 감정의 세계에 대해 사유하고, 감상자들 각자의 해석과 상상력을 자유롭게 발휘할 수 있기를 바랍니다. 이 작업은 우리에게 진정한 아름다움의 의미와 가치에 대한 깊은 생각을 이끌어내며, 그것을 사진을 통해 표현하여 관객들과의 소통과 공감을 이루어내는 데에 그 의미와 가치를 찾고자 합니다. 작품은 소녀들을 주체로 한 여정을 통해 우리에게 새로운 시각을 제시하며, 여성에 대한 이해와 존중을 촉진하고자 합니다. 소녀들의 이야기는 그들의 내면을 빛내고, 우리에게 보다 넓고 다양한 아름다움을 알려줌으로써 사회적 변화를 이루어내기 위한 중요한 도구가 될 수 있습니다.
12/May/2023
As I work on my project, I am constantly contemplating what constitutes art in photography. For me, photography is more than just capturing a moment in time or documenting a scene; it is a medium that allows me to express my emotions and convey my ideas through visual storytelling. However, as an artist, I often question whether my work truly constitutes art or if it is merely a reflection of my personal experience.
Despite the doubts that often plague me, I continue to strive to convey my emotions and ideas through my photographs. I am constantly experimenting with different techniques and styles, pushing the boundaries of what is possible within the realm of photography. Each image I capture is a reflection of my innermost thoughts and feelings, and I am always seeking new ways to convey these emotions through my work.
This process has been challenging yet rewarding, as I feel that I am growing and evolving as an artist. I am learning to trust my instincts and embrace the creative process, even when it leads me down unexpected paths. Through my work, I hope to inspire others and encourage them to explore their own creativity.
As I continue to work on my project, I am reminded of the complexities of art and the power it holds to convey a message. I am grateful for the opportunity to express myself through photography and to be a part of the larger artistic community. I am excited to see where this journey takes me and to continue to grow as an artist along the way.
James.
이 사진은 관찰자로서 소녀를 관찰한 순수한 표현입니다. 소녀 모델은 이 관찰로 인해 불쾌함을 느끼지 않았습니다. 이 사진은 현실적이면서도 때로 추상적입니다. 이것은 보는 이의 시선에 따라 결과가 다르게 나타날 수 있지만, 소녀가 전달하는 순수함의 이미지는 변하지 않습니다. 이것이 이 사진에서 중요한 근본적인 메시지입니다.
This photograph is a pure expression of my observation as a viewer observing the girl. The girl model did not feel discomfort as a result of this observation. The photograph is both realistic and at times abstract. The outcome may vary depending on the viewer's perspective, but the image of purity conveyed by the girl remains unchanged. This is the fundamental message that is important in this photograph.
20/May/2023
The girl with the heavy heart - This story is fiction.
She sits on the edge of her bed, her shoulders hunched and her head in her hands. Her hair falls in front of her face, obscuring her expression. She is silent, but her body language speaks volumes. She is weighed down by worry and doubt. Her eyes are closed, but she is not sleeping. She is too restless for that. Her mind is racing, filled with thoughts of the future. She is worried about what it holds. She is worried about whether she will be able to succeed. She is worried about whether she will be able to find happiness. She takes a deep breath and tries to calm herself down. She knows that she cannot let her worries control her. She needs to be strong. She needs to be brave. She needs to believe in herself. She opens her eyes and looks around her room. It is a small room, but it is hers. It is a place where she can be herself. It is a place where she can dream. She stands up and walks over to her window. She looks out at the world below. It is a beautiful world, but it is also a world full of pain and suffering. She knows that she cannot change the world, but she can change herself. She can make a difference. She takes a deep breath and smiles. She knows that she can do this. She knows that she can overcome her fears. She knows that she can achieve her dreams. She is the girl with the heavy heart, but she is also the girl with the big dreams. She is the girl who will change the world.
19/Feb/2023
Einstein was famous for saying that time is relative, and that it can be experienced differently depending on one's position. Similarly, photography is also subjective and can be open to interpretation, particularly when it comes to focus.
While Einstein's theory of relativity is based on physics, the idea that focus is relative has more of a philosophical bent. For example, if you have a photo that captures a treasured memory, but it's slightly out of focus, is it still a valuable and meaningful photograph?
The answer to this question is subjective and depends on the individual's perspective. For some, the emotional significance of the captured memory may outweigh any technical flaws, such as a lack of sharpness in the focus. In this way, the photograph may be seen as a precious and memorable keepsake, despite its imperfections.
On the other hand, for those who prioritize technical precision in photography, a photo that's out of focus may be seen as a failure or mistake. From this perspective, the flaws may detract from the photograph's value, even if it captures an important memory.
Ultimately, the value of a photograph is subjective, and it depends on the beholder. Some people may appreciate the technical aspects of a photograph, while others may place more importance on the emotional content it captures. Therefore, the interpretation of focus in photography is relative, and it's subject to individual perspective.
과학자가 아니더라도 우리는 아인슈타인의 상대성 이론에 대해 한번쯤 들어본적이 있습니다. 시간은 상대적이며 관측자의 위치에 따라 다르게 경험할수 있다는 이론 입니다. 사진에서도 이와 비슷한 이론이 있는데 그건 ‘초점은 마음에 맞는다'라는 이야기 입니다.
아인슈타인의 상대성 이론은 물리학적인 기초를 두고 있지만, 초점이 상대적이라는 개념은 철학적인 면이 강합니다. 예를 들어, 소중한 기억을 담은 사진이 초점이 약간 흐려져 있다면, 그 사진은 여전히 귀중하고 의미있는 사진일까요?
이 질문에 대한 대답은 주관적입니다. 감정적인 중요성이 카메라의 기술적 결함, 즉 초점이 맞지 않은 결과물 보다 더 중요한 경우가 있습니다. 이경우, 사진은 초점이 맞지 않아도 소중한 사람을 기억할수 있는 중요한 것으로 여겨질 수 있습니다. 또한 초점이 맞지 않음으로 인한 불확실성이 보는 사람들에게 더많은 해석의 여지를 줄수 있습니다. 누군가에게는 기록사진일수 있고 또한 누군가에게는 생각에 빠지게 만드는 사진이 될수 있습니다.
그러나 사진을 찍을 때 기술적인 정확도만을 우선시하는 사람들은 초점이 맞지 않은 사진을 실패나 실수로 생각하게 됩니다. 이 관점에서는 초점이 맞지 않은 실수가 사진의 가치를 떨어뜨리게 됩니다.
사진의 가치는 사람들의 주관적인 시선에 따라 다릅니다. 어떤 사람들은 사진의 기술적인 요소를 감상하는 반면, 다른 사람들은 사진이 담은 감정적인 내용에 더 많은 중요성을 둘수 있습니다. 따라서 사진에서 초점의 해석은 상대적이며 개인적인 시각에 많은 영향을 받습니다.
James. 장 형수.
21/May/2023
The Power of the Gaze: Eyes as Windows to Our Inner World
In the vast realm of human existence, our eyes possess a captivating power. They are not merely a means of seeing the world; they serve as portals to our innermost selves. Through the lens of art, we discover that the gaze of our eyes speaks a language that transcends time and barriers, connecting us to our shared humanity.
Within the depths of our eyes lie stories and emotions that words often struggle to convey. Accomplished artists can capture these subtleties—the flicker of longing, the vulnerability hidden within, or the shimmer of tears. With brushes and strokes, they unlock the secrets of our souls, allowing us to communicate the depth of our experiences through the silent language of the eyes.
Our eyes not only reveal our individual selves but also offer glimpses into the tapestry of history. Like time-travelers, they reflect the wisdom and sorrows of generations past. Ancient artworks, such as frescoes and sculptures, carry the stories of long-forgotten civilizations. When we gaze into the eyes depicted in these art forms, we connect with our ancestors, recognizing our shared human journey that spans across time.
Beyond the limitations of culture and language, the gaze of our eyes speaks a universal language that binds us together. It is a language of empathy and compassion, transcending the boundaries that separate us. Artists, whether painters or writers, harness the power of this language to evoke emotions and convey the longing for love, dignity, and resilience that resonate within every human heart.
In conclusion, our eyes possess a remarkable ability to communicate the depth of our souls. They are windows that open to reveal the hidden truths and emotions within us. Through art, we gain a deeper appreciation of the power and beauty of the eyes' language, fostering understanding of our shared human experience. Let us embrace this universal language, celebrating the connections it forges and the empathy it inspires. The gaze of our eyes invites us to explore the richness of our collective story and the extraordinary capacity for compassion that resides within each of us.
James.
Sarah moon
Deborah Turbeville
Paolo Robersi
Tim Walker
Lillian Bassman
*Photographers referenced
“Blue Bayou” 2021 American drama film written and directed by Justin Chon